Simplicity at its best..
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Bike shelf by Chris Brigham.
Epic table from Faye Toogood’s collection Super Natural: Assemblage No 1. http://www.fayetoogood.com/assemblages/assemblage-1
Tsumori Chisato’s F/W ‘11 collection…
Aren’t they the cutest pair of shades!
Sheltered.
LUX ( http://www.alleswirdgut.cc/awg.php ), is a new public park on the grounds of an old steel mill, Esch-sur-Alzette 2011.
Really amazing installation by Patrick Saint-Denis, which somewhat reminded me of Anri Sala’s exhibition in the Serpentine Gallery.
But of course, this is way cooler.
Hands down.
Hahahahahaha shit I was so entertained by this video!
Damn right I thought of you.
3.3 Ways of Working 3D
After gathering enough research, it was time to develop ideas and experiment through different materials and methods. With the materials we brought in on the first day (with some additional), we were instructed to manipulate materials three-dimensionally as the first exercise. After the warm up, we were asked to use inspiration from our site visit to expand on making.
These are some of the works I was inspired to make…
3.2
On the second day of the design project, we were taken around some parts of London for further research. My group was assigned to visit Taryn Simon’s exhibition in Tate Modern and then slowly walked from the museum to the millenium bridge, Shakespeare’s Globe Theater, and finally to Borough Market while recording 50 drawings/photographs of similar things. I started out drawing the heads of things - buildings, lamp-posts, umbrellas. However, as I proceeded through the journey, I decided to just sketch whatever that strike out to me as I had to be quick on my feet and hands.
These are some photographs I took in Taryn Simon’s exhibition.
Brownstone Circle, Richard Long 2000.
This was one of my favorite pieces done by Richard Long.
Richard Long was one of the artists that was recommended for our contextual references. I really like his works as he uses natural materials to create his sculptures. His works are truly ‘art made by walking in landscapes.’
